'Gender and Sexism in the Oresteia'

' end-to-end the Oresteia, Aeschylus portrays sex activity as a socially volatile issue that results in increase miasma in spite of appearance the House of Atreus. Aeschylus engages the heathenish significance goat such sexist disputes by interpret gender-based competition among Greeks who look threatened when former(a)wises do not oppose their expected mannish and feminine identities. However, he indicates that when women do motivate accordingly, they be electrostatic belittled from two men and other women. Through his limning of sexist repeat standards and societys rejection of diverse gender expression, Aeschylus exposes the widespread, unjust infrareckoning of females, who in the end, ironically possess authority. \nFor an Athenian citizen, power and intensiveness atomic number 18 necessary qualities to have in order to be respected; yet such traits are deemed too masculine for women and therefore are only famed when men arrive them. For example, Agamemnon is well regarded for representing the culturally ideal spirit of virility for fight at troy weight and returning shell safely, opus, Aegisthus on the other hand, is mocked for his weak, effeminate qualities. In The Libation Bearers, Orestes honors the soldiers efforts and then ridicules Aegisthuss unmanfully complacency, saying, Besides, the lack of patrimony presses hard; and my compatriots, the repute of men who toppled troy with nerves of recounting steel, go at the beck and call of a brace of women. Woman-hearted he is (Aes., Ag., ll. 307-311). Aeschylus specifically uses this ingeminate to show Orestess reprimand of Aegisthus who stays at home under the rule of Clytemnestra, while other veridical men equal Agamemnon defend Athens. \nHowever, Aeschylus in like manner highlights Orestess misogynistic views towards his own commence, a perspective that resurfaces. For instance, Orestes maintains these views unconstipated when he disguises himself as a stranger t o greet his mother: Come step to the fore! Whoever rules the house. The woman in charge. No, the man, bet...'